British, (1898-1986)
"Rocking Chairs," 1948
pencil, wax crayon, watercolor wash, pen and ink on paper

pencil, wax crayon, watercolor wash, pen and ink on paper
22 1/2 x 15 1/2 inches

  • Provenance: The artist; Curt Valentin, Buchholz Gallery, New York, New York; Mrs. Vera List, philanthropist and supporter of contemporary art, Greenwich, Connecticut; descended in the family until the present; Private Collection, Connecticut.
  • Exhibited: New York, New York, Buchholz Gallery, "Henry Moore," March 6-31, 1951 (illustrated).
  • Literature: "Henry Moore, Volume Two: Sculpture and Drawings Since 1948," (London: Lund Humphries, 1955); Robert Melville, "Henry Moore: Sculpture and Drawings 1921-1969," (London: Thames and Hudson, 1970); Ann Garrould, ed., "Henry Moore: Complete Drawings, Volume 3, 1940-49;" (London and Much Hadham: Lund Humphries, 2001), (illustrated).
  • Notes: This work is registered in the Henry Moore Foundation archives as HMF 2515 and research file number 2020.38. We are grateful to the Henry Moore Foundation for their assistance cataloging this lot.

    Rocking Chairs was purchased at Buchholz Gallery in 1951 and is extensively documented in publications on Moore. Executed in 1948, four years before the bronze, Mother and Child on Ladderback Rocking Chair, it is a rare glimpse into the artist's creative process. In this drawing, Moore depicts five figure groups on rocking bases, with the mother figure holding the child in various positions. Each group is three-dimensional, indicating that Moore conceived of the figure group as a sculpture from the beginning.
    Henry Moore is one of the most significant British artists of the twentieth century. He was born on 30 July 1898 in Castleford, Yorkshire, the son of a miner and the seventh of eight children.

    As a schoolboy Moore showed a talent for art but was encouraged to train as a teacher first. He did not enjoy teaching and signed up to serve in the British Army during the First World War. He was injured in 1917 by a gas attack during the Battle of Cambrai.

    In 1919, thanks to an ex-serviceman's grant, Moore became a student at the Leeds School of Art. He went on to attend the Royal College of Art in London in 1921. Moore later taught at the College and met Irina Radetsky, whom he married in 1929.

    Numerous commissions and exhibitions in the 1930s enabled Moore's reputation as a leading avant-garde artist to grow, but in 1939 war broke out again. Moore was recruited as an official war artist and produced his now famous drawings of people sheltering in the London Underground during the Blitz.

    In September 1940, the Moores' London flat was damaged by bombing and the couple moved to Perry Green, Hertfordshire. Hoglands, a farmhouse in the hamlet, became home for the rest of their lives. Their daughter Mary was born in 1946. Over time, Moore developed outbuildings into studios and Irina created beautiful gardens. Landscape was important to Moore and his work is often associated with nature. The human body is another recurring motif in the artist's work and in Perry Green the analogies between the body and landscape could be readily explored.

    International success characterised Moore's career from the 1950s onward. In 1977 he established the Henry Moore Foundation to encourage wider enjoyment and opportunities in the arts.

    In August 1986 Henry Moore died in Perry Green.1
    1 Biographical information from the Henry Moore Foundation, https://www.henry-moore.org/about-henry-moore/biography (date accessed: September 1, 2021).

    Framed dimensions: 28 1/4 x 21 1/4 x 1 inches

    Tags: Modern / Contemporary, works on paper, European, listed artist
  • Condition: overall very good condition, please contact us for additional information and photographs
    Condition Report Note:
    We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE. Thank you for your interest in our sale.

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