78

ALFRED THOMPSON BRICHER
American (1837-1908)
Summer Pond, Southampton
oil on canvas, signed lower left "A.T. Bricher"
22 x 40 inches

Provenance: Private Collection, Washington D.C.; Private Collection, Connecticut; Shannon's Milford, Connecticut, May 1, 2014, Lot 57; Private Collection, Connecticut; Shannon's, Milford, Connecticut, October 26, 2017 lot 117; Private Collection, Connecticut.

Other Notes:
Today Alfred Thompson Bricher is widely appreciated by art historians for his mastery of Luminist realism alongside the slightly older generation of Hudson River School painters Fitz Hugh Lane, Sanford R. Gifford, Martin Johnson Heade, and John F. Kensett. As a luminist painter, he was predominately interested in the pictorial effects of light and translucency. It is always possible to ascertain such specifics as the time of day, weather conditions, and geography in his work, yet his paintings manifest a spiritual quality that was an important component of Hudson River School painting.

Following a second marriage in 1881, Bricher built a summer home and studio at Southampton, Long Island. "Here he interpreted the expansive coast and quaint village areas in paintings displayed at annual exhibitions from 1882 until 1894. He painted all along the south shore of Long Island showed views of rugged Montauk Point at the eastern tip of rugged Montauk Point at the eastern tip between 1882 and 1885; Water Mills, adjacent to Southampton from 1882 to 1888; Patchogue and Blue Point on Great South Bay protected from the Atlantic by Fire Island from 1886-91; and further west, Freeport and Far Rockaway from 1888 to 1891, and Wantagh in 1893." 1

He later made his home at New Dorp, Staten Island, while maintaining a studio in New York City until the end of his life. By that date, 1908, Bricher's career had spanned a period of momentous evolution in American art, indeed from the era of the Hudson River School to the imminent appearance of Synchromism, or color abstraction. It is little wonder, then, that when Bricher died at New Dorp on September 30, 1908, his obituary in Art News) commented, "[Bricher] did not receive the notice in the press that the artist's ability and reputation deserved"—a sentiment shared by today's finest scholars of American nineteenth-century painting.

Today works by Bricher are to be found in the permanent collections of many of America's most prestigious museums, the Metropolitan Museum of Art, the Brooklyn Museum of Art, The Wadsworth Atheneum, the Smithsonian American Art Museum, the White House, the Pennsylvania Academy of Fine Arts, and the Carnegie Museum.

1 Alfred Thompson Bricher, 1837-1908, by Jeffrey R. Brown, assisted by Ellen W. Lee, 1973
Portions of this essay courtesy of Hollis-Taggart Galleries

tags: 19th century, Long Island, oil painting, landscape


  • Condition: Canvas: Unlined
    Condition: Very Good
    Restoration: Very Minor
    Frame: Superior Quality Reproduction
    Comments:
    Framed size - 34 1/4"H x 51 1/4"W x 5"D


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